Audition

Symphony No. 2 - Brahms

Johannes Brahms (1833-1897), was a German composer of the Romantic era who used trombones sparingly but strategically.

Brahms completed Symphony No. 2 in 1877. Brahms uses the trombone section with great care in this symphony in both quiet passages and in the dramatic final moments, where the trombones have a magnificent exposed D major chord all to themselves in the final five measures.

Symphony No. 1 - Brahms

Johannes Brahms (1833-1897), was a German composer of the Romantic era who used trombones sparingly but strategically.

Brahms completed Symphony No. 1 in 1876. The trombone section is used sparingly in Symphony No. 1 but does have quiet but exposed passages in the last two movements.

Ein deutsches Requiem - Brahms

Johannes Brahms (1833-1897), was a German composer of the Romantic era who used trombones sparingly but strategically.

Brahms completed Ein deutsches requiem (A German Requiem) by 1868. Brahms personalized the text rather than follow the traditional Requiem text. The writing for the trombones in this work is restrained, employed only when it really matters - solidly structural and not at all showy.

Academic Festival Overture - Brahms

Johannes Brahms (1833-1897), was a German composer of the Romantic era who used trombones sparingly but strategically.

Academic Festival Overture (1880) is a celebratory collage of German student songs. Trombones are silent for much of this composition but when they do make an appearance late in the work, they add ceremonial authority.

In the Steppes of Central Asia - Borodin

Alexander Borodin (1833-1887) was a Russian composer of the Romantic period and a leading member of “The Five”. His orchestral writing leans towards dark, blended sonorities with trombones used as harmonic weight with chorale-like textures.

The symphonic poem “In the Steppes of Central Asia” (1880), depicts a caravan crossing the Asian plains. The trombones are used as part of a broader brass choir, adding breadth and structural balast.

Polovtsian Dances - Borodin

Alexander Borodin (1833-1887) was a Russian composer of the Romantic period and a leading member of “The Five”. His orchestral writing leans towards dark, blended sonorities with trombones used as harmonic weight with chorale-like textures.

Alexander Borodin’s Polovtsian Dances was completed in 1876 for the opera Prince Igor. The troombones provide sustained resonance and weight. The ranges for the 2nd and 3rd trombones are unusually wide, with sustained B-flat pedal tones. The 1st trombone’s range is much narrower.

Hungarian March - Berlioz

Hector Berlioz (1803-1869) was a French composer of the Romantic period.

Hungarian March by Hector Berlioz was completed in 1846 as part of “The Damnation of Faust”. Trombones are prominent, reinforcing rhythm and adding weight.

Roman Carnival Overture - Berlioz

Hector Berlioz (1803-1869) was a French composer of the Romantic period.

Roman Carnival Overture (Le carnaval romain, H 95) is one of the composer’s most frequently performed overtures and includes extensive exposed passages for the trombone section.

Symphony No. 9 - Beethoven

Ludwig van Beethoven (1770-1827) was a German composer of the Classical and Romantic periods.

Symphony No. 9 in D minor, Op. 125 ‘Choral’, is one of the three symphonies by Beethoven to include trombones (see also the 5th and 6th symphonies).

Symphony No. 5 - Beethoven

Ludwig van Beethoven (1770-1827) was a German composer of the Classical and Romantic periods.

Beethoven Symphony No. 5 in C minor, Op. 67 is notable (particularly for trombone players) for being the first symphony to include trombones.