Johannes Brahms (1833-1897), was a German composer of the Romantic era who used trombones sparingly but strategically.
Academic Festival Overture (1880) is a celebratory collage of German student songs. Trombones are silent for much of this composition but when they do make an appearance late in the work, they add ceremonial authority.
Alexander Borodin (1833-1887) was a Russian composer of the Romantic period and a leading member of “The Five”. His orchestral writing leans towards dark, blended sonorities with trombones used as harmonic weight with chorale-like textures.
The symphonic poem “In the Steppes of Central Asia” (1880), depicts a caravan crossing the Asian plains. The trombones are used as part of a broader brass choir, adding breadth and structural balast.
Alexander Borodin (1833-1887) was a Russian composer of the Romantic period and a leading member of “The Five”. His orchestral writing leans towards dark, blended sonorities with trombones used as harmonic weight with chorale-like textures.
Alexander Borodin’s Polovtsian Dances was completed in 1876 for the opera Prince Igor. The troombones provide sustained resonance and weight. The ranges for the 2nd and 3rd trombones are unusually wide, with sustained B-flat pedal tones. The 1st trombone’s range is much narrower.
Hector Berlioz (1803-1869) was a French composer of the Romantic period.
Hungarian March by Hector Berlioz was completed in 1846 as part of “The Damnation of Faust”. Trombones are prominent, reinforcing rhythm and adding weight.
Hector Berlioz (1803-1869) was a French composer of the Romantic period.
Roman Carnival Overture (Le carnaval romain, H 95) is one of the composer’s most frequently performed overtures and includes extensive exposed passages for the trombone section.
